from Rebecca Reynolds over at The Rabbit Room. Check-enzie out: “The Hymn of the Crabapple Tree”
Category Archives: Literature
Book Review: The Circle Trilogy + Green (and then some) by Ted Dekker
Here’s what I enjoy about Ted Dekker‘s Circle Series and what I think makes it great. It meanders a little, but that’s how I do, so enjoy:
I started this series in my second semester of eighth grade, and finished the last book (Green) a few days ago.
I’m 20.
Which means I’ve been reading this series on and off for 8 years, haha.
Granted, Green was released long after the rest of the Circle Series (Black, Red, and White) but still. This is a hefty series. With two other multi-booked sections that take place in and relate to the same timelines as The Circle, to get all of the intertwining plot lines and character arcs, you have to read at least 13 books*. But they’re worth it, because they’re great.
Dekker writes books like they’re movies, in that all of the action happens fast and on top of itself. They are intense thrillers that keep your attention.
Anyway, The Circle Series is a quadrology (?) in which the main character, Thomas Hunter, switches between two parallel worlds when he falls asleep. One is set is the current time, and the other is set 2000 years in the future. My favorite part of the series is that the future world is a physical representation of the spiritual climate of the current one, while the entire plot is a loose allegorical account of Christianity’s history (and I mean all of it). I really enjoyed seeing that aspect of the plot come through. Also, Black, Red, and White are all sections of the same story, which Green is both the end and beginning of. It has been labeled as book 4 and book 0, because toward the end of it, it begins to answer questions and establish plot lines that make the whole series fit together. It’s crazy and exciting.
Anyway, I would seriously recommend this series to anyone looking for a fast-paced sci-fi action thriller, or just an interesting story.
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*The books are as follows: The Circle (Black, Red, White, Green), The Paradise Novels (Showdown, Saint, Sinner), and The Lost Books of History Chronicles (Chosen, Infidel, Renegade, Chaos, Lunatic, Elyon). If you want to read them all, I suggest reading them in this order: Black, Red, White, then The Paradise Novels, then The Lost Books of History Chronicles, then Green. If you don’t read all of them, then at least read The Circle! And maybe The Paradise Novels.
Why I Didn’t Like The Idiot and Random Musings on Literature
I told Andrew that I didn’t like The Idiot (by Fyodor Dostoevsky), which I believe is one of his favorite books (or so I understood), and he asked me to explain. So here it is.
The reason I didn’t like The Idiot is this: it paints a hopeless picture of the world. After finishing the book, I was left with a sense almost of despair. It left me not wishing that the story hadn’t ended, but with a feeling of relief that is was done, although it was a bittersweet relief, because the ending is so depressing that it doesn’t even feel right to end it there. I understand the Dostoevsky was an existentialist, and so this is what I should expect, but even in the extremely dark book Brothers Karamazov, there was at least hope in the end. Things started toward a path of redemption: Characters grew better, not worse; their struggles and conflicts and mistakes ended up being redeemed, not culminated in destruction; the moral of the book seemed to be one of faith and perseverance, rather than emptiness and perversion.
(At this point, if you haven’t read The Idiot, you can probably skip this paragraph and not really miss anything.)
Maybe I’ve misunderstood what Dostoevsky was saying in The Idiot, I don’t know. I’m not very experienced in interpreting fiction or picking up on what the author was really trying to convey–I’m very willing to admit that–but the primary feeling I got from reading the book was simply depression. I mean, everything just seems to go horribly wrong. The main character goes from healthy to sick again, form totally innocent to morally confused, from simply naïve to socially embarrassing, from in love with a either a madwoman or a whore (it’s hard to really say which–even the characters are quite undecided on this one) to in love with a spoiled brat, and in my opinion from mostly likeable to completely incomprehensible. And you know, I never really understood how Mishkyn (the main character) is any sort of Christ figure at all. I just don’t see it. Oh, and another thing: I feel like Dostoevsky’s portrayal of humanity is even worse than we actually are. I mean, everyone (with the exception of Ganya’s family) is totally absurd. I know (God is great, beer is good, and) people are crazy, but I feel like he’s pushing it a little too far. Some of the things his characters do and say are so off the wall it’s hard for me to relate.
(End rant about everything I didn’t like about the book. I’ve already covered way too much for Andrew to respond to at once.)
I guess this is what it boils down to: when I picked up the book, I expected, as I do with all (fiction) books, to be caught up in the beautiful language, captured by the depths of the characters, engaged by the twists and turns of the plot, and overall–this is the main one–encouraged by the essence of the story. When I read a book, I want to be transported to another place, which perhaps is not always easier or more pleasant or nicer or “better” than the real world, but at least is a place where things go right. If I want to see things go wrong, I don’t have to look very far: the news, the world and our country and our city and the Church and my own heart are full enough of prime examples of things going wrong. When I read a story I want to be reminded that things won’t always be this way. That one day, when the King returns, all things will be made right, and the ground will yield fruit and crops instead of thorns and thistles, and the lion will lie down beside the lamb instead of eating it, and the son will love his brother instead of killing him. That one day, there will be no more tears caused by suffering and grief, that there will be no more scars left from hurt and pain, no more destruction caused by wicked people (us) doing wicked things. That one day, things won’t be broken anymore.
I know I’ve probably said before (and I probably said it in a really snobby, arrogant way–sorry for my stupidity) that “I hate cliché stories, where the good guy always wins and gets the girl, and that I prefer more realistic books, where bad stuff happens and sometimes the bad guy wins, because that’s how it goes in the real world”. I sincerely apologize if I said something like that to you. I see the error of my ways, and I understand now why so many stories end in that “cliché” way. It’s because that’s how they should end. If this world was how it should be, the good guy would beat the bad guy and get the girl. And so we keep reading those books and watching those movies because it reminds us of the world how it could be, and should be, and will be one day.
So the reason why I didn’t like The Idiot is that there was no hope. And because of God’s grace in Christ Jesus, there is always hope for us. So while I appreciate a realistic view of man’s depravity, a story is not realistic that does not include hope. Because “hope does not disappoint”.
So there you have it, Andrew. Feel free to rebut any and every part of this post that you see fit.
What makes good literature?
A lot of times I hear people rant about how awful books (usually ones that we have to read at school, but also super popular books like Harry Potter and Twilight and whatnot get thrown in the mix) are, and how much they hate them and don’t see how anyone can stand to read them. And what gets me is when people start talking about how “bad writing” all of these classics are, because it makes me think that if the authors were really as horrible as people make them out to me, they never would’ve become “classics”. Now, I realize that the whole “classic” thing is a whole ‘nother discussion, but it makes me wonder: what makes a good book? Can you objectively say that a book is good or bad, or is it entirely objective?
I want to know what you think. For the sake of clarification, here are my questions:
1. What do you call a “good” book?
2. Is “goodness” in books entirely subjective, or can it be objective?
3. If you answered the latter to the previous question, what are the objective standards by which one can call a book good?
